Remember that there’s an easier way to do it via Dynamic Link, using the Adobe Media Encoder. So if you ever find yourself having to render multiple sequences from Premiere Pro, don’t do it the slow and labor-intensive way in the Export Settings window. Once the clips are ready to encode, click the Tilde (~) key to restore the original workspace, press the magic start key button, and the files start encoding. Choosing a destination folder for the selected file. So you can either go through and change them all, or you can render out to where the files were going and then just move them to the desired location.įigure 9. So if I open up the output file to send the file to a different location ( Figure 9, below), I can change the destination folder only to the selected clip, not to all the clips. Changing the encoding preset for all of the clips by changing it for the top one (with all clips selected).Īs you can see in Figure 8 (below), the selected encoding preset for all the clips in the Queue window has changed from Match Source – High bitrate to 720p30 – 10 Mbps.Īlthough you can change all the encoding presets in one fell swoop, you can’t do likewise with the output file. Clear names like H.264 Half HD with Audio will let you find exactly what you need quickly in the future. A new popup box will appear with all of your settings. A simpler workaround is to make as many copies of your project as you want there to be instances, with the render queue divided up between them, and then render. Click Create Encoding Preset to start a new preset. I want to change that for all of the clips to YouTube 720p30 - 10 Mbps ( Figure 7, below).įigure 7. Click the Plus (+) button under the Preset Browser tab. Right now the default preset, Match Source - High-bitrate, is selected. The 30-minute episode takes less than 90 minutes on my 2013 MacPro, MBP. My loaded 2013 MacPro takes less than 90 seconds to pump these out. All 4K footage to NTSC 1080/60i broadcast.
To maximize the window, press the Tilde (~) key above the Tab key, and then press Control+A (Windows) or Command+A (Mac), and now if you change the preset or the format, they will change for all the clips. Putting this thing through some large 30-minute tv episode rendering, and it's dragging 30-second promos take 10-minutes to render. Select the ones you want to import (in this case, all of them), click OK, and Adobe Media Encoder will load all of them into the Queue ( Figure 6, below).įigure 6. 16 Premiere Pro sequences, ready to import. Click on the project you want to export from, and all of your sequences (in this case, all 16 of them) will appear in one folder, as shown in Figure 5.įigure 5. There you’ll see all of your Premiere Pro projects. Smart Rendering is turned on by default for MXF OP1a and DNxHD MXF formats. To import a Premiere Pro sequence, choose Add Premiere Pro sequence from File menu, which opens the Import Premiere Pro Sequence dialog ( Figure 5, below). Adobe Media Encoder CC offers new features and enhancements for an enhanced. A lot of editors use Adobe Media Encoder just as an encoder to send files from Premiere Pro, but you can also load files, After Effects compositions, and Premiere Pro sequences ( Figure 4, below).įigure 4. The good news is, there’s an easier way, and it involves Dynamic Link via the Adobe Media Encoder. I also have a MacMini fileserver (2,6Ghz i5, 8gb RAM) which could be used for rendering jobs. It’s kind of tedious when you have to do that 16 times. I use a macbook air (1,7Ghz i7, 8gb RAM) to edit my Premiere projects. There I’d choose the format, and the preset (which in this case is YouTube 720p30), then click Export to export directly from Export Settings, wait for it to encode, and then I’d move on to Gator 2, the second sequence/clip.The Faster Way: Using Adobe Media Encoder Ever wondered what render settings to use from Adobe After Effects or Premiere Pro to get a nice High Quality HD upload to Youtube with a Low File Size Wond. This would bringing up the Export Settings dialog ( Figure 3, below). Exporting the sequence for encoding within Adobe Premiere Pro CC. and it can optimize other formats that benefit from multi-pass rendering. So, basically, I’ve got 16 sequences here, and if I were using the traditional technique, I would select the sequence I wanted to export first, then choose File > Export > Media ( Figure 2, below).įigure 2. Adobe Media Encoder It is too often overlooked that Adobe provides a. In the project shown in Figure 1 (below), I’m creating 16 clips from the same source video files for a new book that I’m writing. The Traditional (Slower) Method: 16 Sequential Encodes in Export Settings This tutorial will explain the easier and more efficient way. If you ever find yourself having to render multiple sequences from Premiere Pro, there’s an easier way to do it than by using the Premiere Pro Export control.
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